Dolmabahace
Palace, a blend of both Eastern and Western styles.
Trade between two cities not only
involved an exchange of wealth, but an exchange of cultural products,
architecture, and even lifestyles. An exemplary case is the cultural exchange
between Venice and the East, as “new spices, soaps, and cotton” entered into
Venice, so did influential Eastern “silks, glass, porcelain, illustrated
manuscripts… portable works of Islamic art” (Carboni, 2007). However, this
cultural exchange was a slow process as trade itself was difficult, and
individuals were always skeptical of new products and ideas that entered into
their city.
During
the 16th century, merchants mainly used land routes whenever
possible since pirates threatened ships (Braudel, 1996). Venetian merchants
would use land routes to carry non-perishable, valuables, and letters to
Constantinople (Professor Villa’s lecture). They were safer, but they were also
longer and slowed down trade. Another reason that cultural exchange was a slow
process was due to neophobia, a fear of trying something new such as unfamiliar
foods (Professor Villa’s lecture). This was the case with the tomato when it
brought from the Old World to the New World. Historically, tomatoes were not
accepted by European palates, but today, tomatoes are a crucial ingredient in
many Italian dishes. Furthermore, there were cases where individuals rejected
unfamiliar cultural elements, like the Moriscos who rejected Western
civilization (Professor Villa’s lecture). Just like the acceptance of tomatoes
by the Europeans, culture was exchanged and accepted between Venice and the
Ottoman Empire.
Venetians traded frequently with
Constantinople under the Byzantine Empire during the 13th and 14th
centuries, perpetuating Venice’s status as a wealthy and superior city. Venice
came into contact with many of the East’s cultural elements, trading not only
with Constantinople, but Syria and Egypt and imported goods such as silk and
spices (Carboni, 2007). After the Ottoman Empire took control of Constantinople
in 1453, the Ottoman still welcomed Venetian merchants into Constantinople. To
further demonstrate the cultural exchange that happened, Venetian merchants
remained in Constantinople, converted to Islam, and married women living there to
trade (Carboni, 2007). When visiting Venice, one can see that the architecture
is a blend of both European and Eastern influences. The exchange of culture between
two culturally distinct cities was a two-way movement. Genoese merchants who frequented
Constantinople erected Galata Tower in 1348 (Fleet, 2006), marking their
presence in Constantinople, and continued to trade with Constantinople even
when it was under the Ottoman’s control. Cultural elements of Western Europe
were also imported into the Ottoman Empire as sultans were influenced by
Western European styles, which were perceived as a sign of modernity starting
in the 19th century. For example, during my stay in Istanbul, I
could see the blend of Eastern architecture with Western influences. The
construction of Western-styled Dolmabahace Place was initiated by Sultan Abdulmecit
as his new home in order to portray Constantinople (currently Istanbul) as a
modernized city.
Trade was a means to enrich cities
with new wealth and according to Braudel, was crucial in the development of a
town by kick starting their economy (1996). By the 16th century, Venetian
lifestyle became fashionable and involved many leisurely activities (gambling
and drinking), and many other cities wanted to imitate this lifestyle (Carboni,
2007). Their feasts became extremely extravagant such as the feasts that took
place at Doge’s Palace and consisted of an appetizer, a first course, a main
course, vegetables, and a final course (Wright, 1999). Courtesanas, prostitutes
that were educated and even published renowned works of literature, also
captured the pleasure of life in Venice (Carboni, 2007). However, trade bought
so much more than wealth to a city. It also introduced distinct cultures.
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